TRIVANDRUM SANSKRIT SERIES. No. OX VIIL

Sri Citrodayamanj ari. No. VII.

EDITED BY

K, SAMBASIVA SASTRI

Curator of the Department for the Publication

of Oriental Manuseripis, Trivandrum. | PUBLISHED UNDER THE AUTHORITY OF THE GOVERNMENT OF 2 | HIS HIGHNESS THE MAHARAJA OF TRAVANCORE. | |

ED BY THE SUPERINTENDENT, GOVERNMENT PRESS,

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INTRODU ne

LSTA

It is a matter for extreme gratification for the Royal Family, for Travancore and also for the Department for the Publication of Oriental Ms anuscripts, Trivandrum, that a treatise on natya,. composed by Sri Balarama Varma Maharaja, in the midst of his arduous State duties, ° is now placed before the public. The work, based as it is ol numerous previous authorities, is, in the main, the result of the pe yractical experience of ‘the author on Natya. This publication is therefore all the more im- portant for those interested in the revival of Indian na- tional dance, and especially for the student of Kerala theatre, The science of natya is defined by the author as ‘wraqarg- Bearetivea weaetay’ and this definition has been applied to the abhinayas of the various parts of the body, such as aga (head, &c.), upafiga (eye, &e.) and pratyafiiga (neck, &c). Accepting raga, téla and other musical accompaniments as the external means of expressing emotions, the author deals in great detail with the various internal and external gestures, giving definitions and applications to one and all of them. Numerous systems of abhinayas, both internal and external, that had been in vogue in Kerala alone, have also been illustrated, and this is evident from the following lines found at the close of the different sub-sections of the book.

OSUAATSAKAA MAT BET |

quiguia aie Sag ffrgsad W’ (p. 25) MSTA ASINBlaAeaaiwat Tat |

eamilgtrarey frac Pfegsat wv” (p. 51)

(MBAR mretafaantratg Th acta fe aig samt irgsrt W” (p. 107) CCMMTAATS aaa Bat | watwaat wee Sag Bass uv? (p. 191) Cqrmemangiarerrantas gett ae aaa fe atig ager finger u” “(pe 268}.

Of course, the author treads on the ath of the famous

natya-sastra of Bharata, but his ‘teachings are the outcome _ of his practical experience and he Bey therefore be Aegarded .

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Gs.

%,

WHE sieweura —

‘Corer eal BUTEA: BE ci: gragacaaii ASCUATAIAIGBLAA SiS TT | “sy STMMUSUAATT: BT ARTA |

“aegeaeeaa gaeealere: Bet Teel wiedieea: Beara TAUCETAT BVT: TAMA 0 weyers Weak agesas | GUALHT RAAT MATSIAA Ul

| Rrexansa Baten ireceeh f VSAM SYs taVSt W sey yawaqssiege queasy | naan went a sees |

Vea iwIE ATTA Tae |” oe a od au? ee 8 (p. 75)

The author thus expanding the phe of natya of Bharata with other systems current in Malabar appears to be an incarnation of Bharata, Kohala and thes hoary sages,

- The work bears the significant title Balaramabharata sit was composed by Bale verti as may be seen from the Following sloka found at th | 7

CRAASHE & At TRI aig Tica! | SraATgTERTT Fea wet Baw? Cp. 12)

The prefix “Bala” in Balarama, the name of. the. author, iS a maa ee: title manifesting submission to God Sri Padmanabha, 1 the tutelary deity of ihe Travancore Royal House, in whom the ruling power of the State is vested, This has been fully dealt with in my introduction to Bala- martandavijaya. ae : | |

The author is known to eta lived between 899- 973

Se) Fae Or corresponding to 1?24-1798 A. D., having been a ruling sovereign for the major purtion of his lite. | “Raving »

mastered numerous aris and sciences even as a boy, he was | a votary of the poetic muse and an- _ equally intrepid a saldier: in . battle. : wv hen he Was s about to. start » for waging

Ve

war against the king of the country called “! Maprana”, he is”

said to have sent the fol lowing message which took a poetic garb: | are at AT srt armraaaaee | | ATTRA airfamarara $n"

This incident told about the sathor shows that poetry | was a zettlous mistress with him even when be was bent on >

quelling the pride of a powerful enemy. Many similar

anecdote: have gathered around the name of this gifted author enshrining him ina halo of glory, In the introductory |

verse ‘ge i waawa’ (p. 4) the author claims descent: from :

the great Solar race.

A life sketch of the quilor by Rao: Sahib Mahakavi- Kavitilaka, Ullur §. Paramesvara Ayvar, M. A., B. L., a life, long student of Kerala antiquitics, runs us follows :

“Maharaja Bala Rama Varma, the author of Bala- ramabharata, was one of the greatest and most distin- ~ guished sovereigns of Travancore. He was born on the 5th Karkatakam, 899 M, ‘E. (1724 A.D.) The star of his nati-

vity being Krttika, he is popularly known as Kartika Tiru- _ onal. His father was Kerala Varma Koi! Tampuran of

-Kilimantir and mother Rani Parvati Bayi. Maharaja Bala Martanda Varma, the maker of modern Travancore, who

ruled from 904 to 933 M. LH. (1729-1758) was his maternal . uncle, ee

‘Quite éanly in life, Rama Varma gave remarkable proots

rare ob his versatile genius, and under the fostering care of his — unele, became both an able soldier and an erudite scholar, oe Hes attained proficiency in many languages, and particularly in Sanskrit, Persian, Hindustani and Malayalam. Later, he

ag employed Pietro de Vegas, a Portuguese teacher and studied:

both Portuguese and English under him. He is also known

to have possessed a working knowledge of Dutch. He _ evinced extraordinary talents not only in ‘Hteraéare, but also |

. in sausic, dancing and kindred arts.

ce Rama Varma assisted his uncle in all the wars “andleb: ; Poe taken by him, and. especially those against ihe. Netherland _-- Hast India Company, and the Rajas of Kayankulam, Am-

- palappuzha, Tekkumkur, and Vadakkumkur. W hen. Ae ere « tapparha succumbed, & 80 0 absorbing was hisi interest in neulture oo

eee ee ee Wo eh a MROLVES, . ce. 8

y

6

that he collected all the ancient ‘palm-leaf manuscripts pre” served in the palace of the vanquished Raja and brought them over to the capital, leaving amayyan Dalawa, the famous minister and generalissimo ot Martanda Varma, to take charge of the trophies of war. Several of these manuscripts may even now be seen in the Trivandrum Palace Library. In the drama Balamartandavijaya, composed by the poet Deva- raja of Aéraémam in South Travancore, in commemoration of the dedication by Martanda Varma of his kingdom to Sri Padmanabha, his tutelary deity, on the 5th Makaram 9a5. -M. E.(1750 A. 1.9, there are many passages revealing the great regard which tke ting had for Rama Varma, as a “poet. and patron of letters. The following description of Rani Parvati Bayi, occurring in Act LV of that work is worthy i of perusal:

wa a fe eaeq offadl aed freratadigarahananeacegera- qaaar waste ereararazeet: alee ara ys aehaerahetiagenesa “Beles Beelamaqadar qaadt digas aeraes- Bgeaedt ofitretaarwmacatreaened 1 gd he sitqqaaatewar- —SMNBAMAATT «ANTAL A Saag TA aM ASHTON SISA HATH - Sia ViguanaraeqeaweVgTaAsswaeeTAANGAT aged Tra- wgiguarsedt sueaewaraqealniarear ATARI Tea qaaTaenaeqaaaasam feaisadio area fagaakadta feeret |

ez, Teel area iraaagy aan raMTAS a eT aa MATT TR Hee

qed qiaiaaasaaTa CaPTRTACEMAAT MTT TT aiar a fatraa egal gee agaeera SY AlWSeraat BRIRS- . aeeaaa amare went arsine arangearts gurerarerit a

are TTT aterm diggers afeirareat SRE Po

byl TR TR nfatee seaitea t

The king, on heading these Seer from the mouth of

one of his attendants, says to himself as follows :-—

ge aA SIT ST cavteroeToRTeT adage seas: : : : | ee pee serene inert tage | ies rege Reeeariareg Se: nee ae We (p. 58. Dy | a 7

| Whe: ‘inp S We A eatienate of ‘Rann’ Varna may “he eS oe : gathered from the following verse e put i into his mouth by the ° Oy

- poets

Corrargentat iets AAAANATATAET ATT hearer. | aiqarary QM AA SVM AA ABTA: | wa aeaaat ian fa facut aeqear: arya za frigarrat za marqatt saeaiae: a” To make his own assurance on the point doul ily sure,

the king asks the pandiis and poets assembled on the occasion whether his § nephew knows anything of the various arts that

he has learnt ia rience PUT fefaata aaa and they reply with cne voice : ae “RCIA WATFISATAROST ATT: | qistensaras seaatas wT | AMSEVY AAT sina waa. aaa BET ateearera: 0”? Ow: 93) It is needless to cite more references. Devaraja was a life-long friend and court-poet of Rama Varma, and Iam of the view

~ that a veiled allusion to bim is contained i in the verse oceur- ring in the introductory part of Balaramabl harata :

‘afmequiraiararaatt gata a aTARVTATS HTT ageteararma farang

fawaia facsitat ate yeaus

: On the death of Martanda Varma on the 27th Mithu. nam 933. (July 1758), Rama Varma ascended the throne,

39

RF

and reioned for a petiod of about aes oo years. His

death oecurred on the 7th Mithunam 973 M. E. (July 1798), - It-is not possible here to attempt even a nee. résumé cf his ~ political and administrative career. Suffice it to say that he drove the Zamorin of Malabar from Cochin and compelled

him to sue for peace, made Cochin surrender the taluks cf - Kunnattunad, Alangad, Parur and Shertallay, the Rajas of

_ Alangad and ‘Parur signing separate deeds of renunciation, entered into perpetual alliance with the Nawab of Arcot,

- relinquishing his trans-ghatian possessions, but securing for Travancore the taluk of Shencotta and the sacred temple of

| Cape Comorin without further molestation from the: Nawab,

erected the celebrated Nedumkotta fortifications on the | a ‘northern frontier, purchased the ports. of. Cranganore and Ayikkotta from the Dutch as a means of further protection against enemies from that quarter, defeated ‘Ti ppu Sultan of — | Mysore, consolidated the swaele’ ee from Tov: ala to Sees

f

Parur and executed a treaty of perpetual friendship and alliance with the English East India Company. The extent

of Travancore to- day | is practically the same as when he died

in 1798 A. D, Maharaja Rama Varma was deeply religious- minded. He performed tthe Tulapurusadana in 925, “Hira ny agarbhadana in 936, Brahmandakatahadana and Kalpe:

vrksadana in 938 and a Sas oe,

| cancgalidina, Sapiecagaradana, ‘Man ahonad lana ene eae | ‘phitakatahadana j in $40 M. E. , thus completing the sixteen

Mahadanas or great giits ordained by the Hindu re sligion. On the Z8rd Mithunam 941 M. E. (1766) he made, following in the wake of his uncle, a dedication ta Sri Padmana bha. of the territories surrendered by Cochin to Travancore. In 945 M. H. (176), he purchased from the Raja of Ramnad the | estate of Kakur in the Ramnad District for the performance

of certain services in the Ramesvaram Temple. On his

mother's death ¢ on the 30th a oe a is oe he

— tion a ee out in Vache 959 M. EK, a In

963 M. E. (1788), he got a yaga (\edic sacrifice) performed on a grand scale at Alwaye on the northern kank of the Peri- yar river. , Neither Hyder Ali nor coe Sultan was able to eee . tate Travancore, as they did the other parts of Kerala. When Tippu Sultan carried fire and sword into ‘Malabar, innumerable Hindus. high and low, fled to Travancore for | shelter, and the Maharaja, true to the traditions of his family,

protected every one of them, as befitted his status, the quest-

ion OL cost or consequential. risk nev er for once entering into

his calculation, Two Sanskrit verses ‘por traying the general ya) panic which Tippu’s invasion created in Malabar have come -

down to us and they are worthy of quotation here: “qe fsmagergaadia- ie ee _earggirehgatereg targa: Gree qaeequanftweargingsa: Rea Braet seule arat wast u a freer eeleeet Taaa qe: Bes ie gata Readterah great serene 72 ee ae aaa facrad: erarTe ae

Bae sega ic Ae STA, wie staid!

The asylum accorded by the Mahraja to those refugees was one of the several reasons advanced by the Sultan for invading Travancore. His first attempt, however, failed miserably, Even the Muhammadan Macias. Mir Husain Ali Khan Kirmani, admits that, on the 251h December 1789,

‘the enemy attacked the § Sultan's troops on all sides with

arrows and musketry and caused incalculable distress and confusion among them.. ........ Three or four hundred horsemen, men of good famibion gave substantial rpoofs

of their valour and were all killed wade wounded in front of the Sultan..... In short the Sultan and Kamruddin Khan escaped out taf the whirlpool of their misfortunes, and

the rest of the Khans.,,........were never after heard: of”,

When Tippu, maimed for life in that ambush, come again to — wreak his vengeance on the Maharaja, the Periyar river, “which | was in high flood, arrested his advance, illustrating the —

truth of the observation made in the drama Vratijia yau- gandharayana, attributed to Bhasa,

| Coeaaarnea TAAETTAT | oatnistearsa wera areata”

| ind hefore the flood subsided, Lord Cornwallis was virtually at the gate of Seringapatam. ‘Rama Varma was loyally serv-

_ ed by very able ministers, the foremost among whom

: were Raja Keéava Das, Aiyappan Martandan Pill al and

- Mah&devayyan Subbayyan, as also his distinguished Flemish general, Eustatius de Lannoy who died in 1777 A. D. On the ond July 1774, Pope Clement XIV sent him a message

nc i good- will, in recognition of the kindness and consideration : shown. by him to his Christian subjects. On the 10th Octob-

Sep: 1790, the Maharaja was honoured by the Nizam of Hyd-

_ erabad, in his capacity as the vicegerent of the Muhammadan

oe Emperor of Delhi in South India, “with the titles of K Tritapati Manne Sultan Maharaja Raja Raina Raja Bahadur Shamsher

me Jung, and these titles are even now fora by his successors.

T he charities of the Maharaja were so liberal and wide-—

fe epread that he came to be known as Dharmaraja throughout India, Contemporary writers have left glowing accounts of his high character. Fra Paolino da San Bart tclomeo, the

ee Carmelite friar and scholar who lived for several years in Tra- - yancore and who knew the Maharaja intimately, has recorded: Ha is an affable, polite, contented, prudent, friendly man... ... ee: For ny part I cou. id not t help admiring the Bods ess ae heart,

we

the affability and humanity of this prince as well as the simpli-

city of his housekold establishment and way of life’. He has further stated: “Public security is again restored

1 murder are no

appointed to settle the affairs of Malabar in 1792 A.D., have remarked : “We own he left a very favourable impres- siott on our minds koth as to his personal qualities and what we consider as the unequivocal sincerity of his attachment to ne Honourable Company’. : | |

‘The Maharaja was a great lover of culture. When Fra Paolino told him that he had studied Amarakoga, he was greatly pleased. The friar says: “This 1s the real and

principal cause why the king, duriag the whole time of my - pesidence in Malabar, behave d to me with so much kindness”.

The Maharaja asked him to explain the parts of saeech of the English grammar, and on his doing so, went the length of calling bim his Grrz. Healso insisted on his. subordi- nates studying the Dutch language, because Of the necessity

they had for frequent correspondence with the Netherland ~ Kast India Company. eae, 3

~ Great as was the repiiution of Maharaja Rama Varma as a ruler, even grea‘er was the fame that he acquired as a

patron of arts, To his court flocked from far and near

votaries of fine arts of every description and he gave them © generous encouragement and support. The description con-—

~ tained in the following verses of the introductory portion of

Balaramabharata, is by no means ¢ xaggerated: “Gagqaqaatiieagre eREqReAaeaaaTat: 1 meaqmettdaignat fea te sfatgaafaeat arad aera gigeaniatgaaite- fainter atat coral U

he, Joe

Ragearaferagerall: | aaigaBargeaae: sree aT AaAATS SARTRE - CAATSTSACL MIAMI T RE:

aennladaiga aaa | sunfeagulcateng an ait: | AWATRT ASA TMANE-

ay fa = BIaaIT wraarike rarare: W”

wee Dev: ara ja, the author of Balumartandavijaya alteady referred ta, the most famous scholars and poets in his court were :— (1) 8 sadagiva. Diksita, (2) Kalyanasubrah- manya, (3) Venkatasubrahmanya, (4) Subrahmanya, (5) Pan- talam Subr: ahmanyn Sastri, (6) Kunchan Nambiy ar, (7) Puti- yikkal Tampan, (8) Mantavappalli I¢tirarigssa Menon, In the centre of this ealaxy shone the glorious orb of Aévati -Tirunal Rama Varma, | one of the greatest Sanskrit poets of his age, who was the Maharaja’s own grand-nephew and who becane heir-apparent to the throne in 1796 A, D., but - whose promising life was cui off at the all-too-early age of 82. Very soon after in 1788 A. D, Agvatt Trrunal, who is ~ referred toas “anwdta: cata” “in Balaraim: abharata, com- posed a prasasts of the Maharaja under the title of VaficTéa- — stava, which [ Lease red for the first time in volume JI of the Kerala Society | Papers. in his drama, Rukminiparinaya, a published in the havyamaln series, ASvati Tirunal gives a further description of the Maharaja in the following passage:

. “ats Ritzeaserniugemaiancae, wear aaa: VAT, TAIT TT ae fear faseen, qeazitte saieaegara- ean, Vaarda zeae TEAR: ahaa tee - ae, args rehaaralaeaieerre, fragequlteltiecanm- fata, earmaanginiame, awewrteeyareaiea- fraamaquediist eautagamagegea:, cPerarreatty GUATT, Te: diemaraaraatirragedtattaatin:” |

In another work of his Srfgdrasudhakarabhana — | (unpublished), the. Mahar: aja is apailt referred to as rqqate- | : eee RATT TA Te TET reo SEATS ae Hea aT wT : TATA ATT TT wet aige PALATE aq aTATET 2

- i

- SadaSivadiksita, son vei Cokkanatha Makin and Mtf- naksi, composed his Balaramavarmayasobhtigana (anpub- lished) on the model of Vi dyana tha’ s- Prat ida ales Lya- Sobtisana. ‘There is also a Natakapr ikarana in it as in Vidyanatha’s work. The following verses are extracted from it: | : |

Coretta Rereat aecgeante sarat fay.

oe

a parang SECA SLC IL ae: |

1Seq areas fata HAAEATH: : | ewe 4 CHT gqamnaeet fasrara r qa: gee qa wuelaaa wey eacia e Ruger @ gH: Garg: ge: nities yen TaaTAs: wae wee Rawr Rrearay ee gaa oferraal aru ize sara eseraey : - ara gu: ayaa | aerale alice ag sideaw- AaTSsaTswy | | r wee: waknaaaaae- — ate Mele TAMARA: fy Rea cease weep v aeete alee REISS aaa ub

waa gat qaissria: a at aang Tea: 7 aTragee git w alez- me Rear eq faafaaredt ig il The verse be eginning with “geegregta:” rev cea the pro~ : ficiency of the Mahnraja i Ww both Sahitya and | Sangita. we é eee :

9?

Kalyanasubre rhmany: a also composed a work on rhetoric _

by name Alaikarabhtisana in praise of the Mz tharaja on the | oe.

| pattern of Appa yya- ae Kuvalayinand at be following ae 2 verse occurs in ss at work + : a re 7 ere ee ee ee | 7 RUSE rageratt niawadiet euegraat ye Sie te

c aiagtgunieival eredigaesmarg)

ato aegueatweryt CHRTBIABT - fe ee on iret aigeeeeeaaret belie a. ie era a

| “is: :

Venkn nadabianin anya, son of VenkateSvaramakhin of the family of the celebrated | Appayy a Diksita himself, wrote Vasulaksmikalyana, a drama in five acts (un published), ‘That drama also extols the achievements of the Maharaja and

~ makes reference to the close friendship which subsisted

between him and the English Hast India Company BOR HE | Rsrgaalt wet 334 agdintacrdiie wee)

| _ Subrahmanya, son of Ramalitea and K okiJamba, WAS | the ¢ author of the posm, Padmenabhavijaya in eight. cantos (unpublished), The follow! ing verse is from that poem:

CaTaPRTEAg ae afars.- stmagcteranaain:

stgganrerar agai: oflaiy PHE_ITATg feaerg:

Fo

Pantalam Subrahmanya Sastri was the protoundest Sanskrit scholar of his age in Kerala. He was the first from the Malabar coast to proceed to Benares, study at first hand the Sabdendusekhara of Nageéabhatta, : and bri ing that work to the notice of local scholars. Althorgh no works of his have been discovered so far, some of his surny verses are ex- tant. The following is one of them and it was sent : one Maharaja on his health being enquired atter by the latte eres sara suameeerey eisea revaghierag@ a al ‘at Tha: | ~~ waratiae aaa Rava: stan a: oie weaeargy Faerale satiaeat gout HAE Ul The gist. of -the verse is that he appreciated the con- versational powers oi the | Mahar aja even more than his

oifts.

* Kunchan Nam piys ar, Pttuiyikkal | Tampan and Ittirarigsa

_ Menon wrote Katbakali plays and other Malayalam. works. Nampiyar who created the Tullal type of titerature in Mala-

ee was one of the greatest. of Malay: alam poets Even a blind poet of the Maray caste. wrote a Tulle 7 on the ene raja’s pilgrimage to Ramesvaram.

Ttavattikkatiu- Narwyinaa: ‘Sasa i, othe shes: of

Re Rukmnip: aripayacampu, wasa. well - eee n Sauskrit poet.

Dr

who lived during the reign of Rama Varma. He has com- posed several be: autiful + verses It praise of: the M abai taja, two

we ce of vebich are quated: below: z

ig

Casha steqanmryrameratig a

eniatiagizaiaetatmaat areas: to

aqeay aa rETA ATTA TET curgitarat 7 wre rer: RRA EAE SATA, TATUM: |

eatee fea gt afeeararare ara aat- fog eat a aiiag saat areaages Tat 1

—-sayacara: GEAA Tig igeeey yaaa - |

| AE SATA TT qataaisgaa Rrerente WW?

This poet was once rewarded with the shawl which the

Maharaja himself was weaving on the following verse being compose 3 and recited :

“slat ga agate Baar ic wae aig gear diste eal gayest wat MqATT | a MAST AATTA Beateiot way wag fe aware aeraae aialayar aqa 1”

Kerala is noted for the number and raviety of its San- degakavyas in Sanskrit. One such Kavya was composed

by-a Nap: ri Brahman of Tirumandh: fans in Malabar — who fled to Travancore on the invasion of Tippu Sultan, It

ig aptly named CatakasandeSa and ends with a prayer for © some maintenance allowance, as the Namputiri had lost all his —

wealth in consequence of that invasion. There is no touch

of Vipralambha-grfigara at allin that poem. The following — verses give.a glowing description of the M aby Araya: e Ccorrereem aeatineaig ied ales - alata aaaget ataant aay d weaqerEtarad RT are 7 - faraia: ent afanat siPagergaran u

aera Treaty gt aad aeeea- a ata eT RTaE stacitat ara: ear ena, dizigra watt wed ah atTeeh fra et aa | Taaagea gad maar AH t Bcicics: paunriafiaieasn aera a sqremmeatig aeiaedt ictal eer | — BIQUITE RYNSA THOUS” _ wR eager afar: aerart ST w

(saat g Pareaeaer ai aigaatarata - CAAT TALE GATT ATTY qhestiaett = aginigeanae | aciaiagges aeimararegy | Two more relevant verses are Ue be low :

“Tage: SyTtaudamasals qalaietgnaartaaewarenaea 4

ara raeeT TAAST LAST aera aiisaicant aa fara CATT ATE ! le

UseH a TT Te qarariey WASH | Usa ai aszatndelengeatis! i: sdigergafeaeat TST AMT gat unttaageaay sta sararery nN”?

Among others who found shelter ‘in Travancore from

hes Tiger of Mysore was Manorama Tampuratii of the oO Zamorin’ s family. She was the most learned woman of

her age in Kerala, It may even be added that, great as the fe culture of women is in Kerala, no lady has risen to her level in Sanskrit scholarship either before ov after. The _. tradition is that, even before she was twelve years of age, she could recite and explain the whole of Bahttoji Diksita’ ‘

Praudhamanorama. Manorama Tampuratti, on her arrival ‘in Travancore, was accommodated at Kunnattur and subse- quently at Wnnakk ad, and treated asa royal guest, Much epistolatory literature passed between the Maharaja and her, a and the following v erses furnish a ‘specimen thereof : “areThiene | vienga rae creases | Weise waaeaiangeaaa fear qa Ral F wadlaqsaaegegd wead TSaTATEA TAT TAGS weg splat ora: ui fia aeaTtes | wea ate haearsttag- engi eae we swegqranisa: (% Gast | Cea aceaiag Raatata a fatarad RISE

| ao at wrenraTagagea gy Stare at Ww?

Fra 5 Bartolaineo. says that, at the head of the proc 3881011

OL the Maherate there was not only a band of musicians, | - _ but “two court-poet 8 ‘woo celebrated In songs his great

achievements’. Li may, in “this ‘connection be noted that his uncle Martanda Varma, | sent a court-poet of his, on an embassy to Dupleix, in 1747 A. D.,as may be seen from the Private Diary of Ananda Rauga Pillai, : Balamartan- davijaya, Martanda Varma, veferring to Rama varma, who gave away the presents to poets on the occasion of the Tiru- ppatidéinam ceremony bays: |

Cogs BONN: AW: BIT ee st | Remadidaant: setter FAG t

git Rage) araat aatedise aegis 1”

Throughout the reign of Ramavarma not only poets, but all persons wuo devoted their life to fine arts, received munificent gifts from him,

The Maharaja wag also a poet of dist tinction, In Mala- yalam he is the author of six NKathakalis, viz., Rajasiityam, Subhadraharanam, Bakevadham, Gandharvayi jeyam, Pane alisve ete aram, and i Calyaansaugandhikar, all based on episodes in the Mahabharata. Whilea seventh Kathakali Na- rakasuravi idham, based ona story inthe Srimad-Bhagayata, was in processs of composition, Agvati Tirunal, his o1 and- nephew, meddled with ié to its distinc advantage, and the Maharaja thereupon allowed him to complete it. Balarima-

bharata is the only Sanskrit work of the Maharaja hitherto |

| known.

ly opens, with invocatory verses to Unnata-Nezta- Vinayaka, os ) Parvati in a dancing posture, and Sri pada nibha who appeared as a dancing chud bafore Divikar

saryasin. Reference is also made to the Maharaja’s ae ancestors, Cheramaaperumal Nayanar, one of the sixty three

Saivite saints (verses 15 and 145), and Kulagekhara- Aahvar, one of the 12 Vaishanavite Saints (verses 18 and 19), of South

Inclia. The former is the Scher of Atiula, Peat |

and Mummanikkovai in Tamil, and the latter, of Perumal Ti-

rumozhiin Tamil anc Mukundamala i in Sansk rit, all devotion-—

al poems of superior merit. Balamartanda Varma, coe eiee

in verse 23, has already been referred to. by me, as also Rama. Varma’s grand-nephew A6vati Tirunal. Ravi Varma, the younger brother of Rama Varma, referred toin verse 24, was aa

Makayiram Tiranal, whose unrivalled feats in magic andj jug-

glery excited the admiration of his contemporaries. He died oo in 1786 A. D. Who the Muharaja! 8 april Procegter- was, is |

Being a work on Natyasisira, Balaraémabharata proper« 7

26. not certain; but in the intro: Inctory verses to his Raj asiiyam he invokes the oe ofa i: aghunathastiri im the following terms : ae a fe aa are ak ate Hey wea Garage wer has TGA eae are Wei aoe CARUATRA ll

The same Ra ehunathastiri is referred Me. in respectful terms by AS&vi ati Tirwnal, Ww ho, in his Srigar iudhakara des—

cribes himself as “hararmgaiaieaasn near’, Tt is possible that he might have instructed the Maharaja in Yoga. In_

any case there can be no doubt that he was both Frareratsretor

and araamaion ag expres ssly inentionod by himeclt i in verses _ 28 and 30 respectively.

| The only three Indian sovereians with whom the aut thor cf Balaramabharata is, in my opinion, wor thy os comparison are King Harsha of. Kanouj, Ring Bhoja of © _ Dhar, and King Krishnadevarays of Vijayanagar. The A ame of Maharaja artika Tirundl is even - day remembered with gratitude, affection and respect throughout the length oon: breadth of Kerala, as the saviour of Kerala from the os Tiger of Mysore. izhavan (eld) Raja, Dharmaraja, Rama- -yaja, and Valia Ammavan (the great uncle), are some of

the several names by which he is known to poster ity. Good

— gause, indeed, has Travancore, to be proud of this sovereign who strenuously lived the life of au ideal Hindu king and ‘who well and tr uely I aid the foundation of her future peace and prosperit ye

The author 1s thus porirayed hy me in my Citrabhyu- daya Kavyas— — |

sraqzatiST WasSte waatrdgea ta fiqaaataa ge WUAATAATT ti

| aMTIRUAI TA AAS IS at b, | eteenaae ret waist a:

as

ms faegueafiaefat wag steerer | | atteaty qh uaa TEAL ast Rarergratr wonae altar | RT Saag STATATET TAT TT. aw

belonging to the Palace Library of His B ighness the

pay: erfeqrarat asresia CEST rey i wieligeaeta TashAT wearet Tat: 1 | The edition of the work is based on a single manuscript — raja. It is written in Malays ‘lam characters and appears to

bea century and a half old. Only one manuscript js avail- able of this work and that manuseript was preserved in the Palace Library and it gives me immense pleasure to place

this precious work before the learned public.

Trivandrum, } 1-11-1936. J

ik. SAMBASIVA SASTRI.

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